This subject emphasises narrative development, with close attention to the relationship between structure and content in traditional and experimental fiction. Craft skills appropriate to narrative writing are developed through exercises and sustained work on pieces of fiction, along with consideration of principles of editing and revision. The focus of the class is the students' own work. A range of narrative writing is read and discussed, integrating practical work with critical reflection on the processes of narrative writing. This is a core subject for postgraduate writing students and is suitable for students in other areas wishing to develop their writing through exercises and sustained work.
At the completion of this subject, students are expected to:
This subject:
Sessions 1-8 will include a lecture about and discussion of the week's topic, followed by a writing workshop, in which students will critically discuss their own short pieces of writing relating to the week's topic.
They will also be asked to read and talk about a range of short fiction and other short narrative pieces throughout the semester. They will be asked to present a brief seminar on a chosen text, analysing its strengths and weaknesses from a writer's perspective. Research seminars will be scheduled for presentation during weeks 6-14
After initial exercises to develop craft skills, students will be asked to work on a sustained piece of narrative fiction of their own, developing it through several drafts. This work will be intensively workshopped through the class weeks 8-14 though sections may be introduced into the class in workshops during earlier weeks. The writing is submitted as the final and major element of the subject's assignments for assessment. It must be an original piece, written specifically in the context of this class.
The class focuses on various aspects of technique and structure in writing fiction for the first half of the semester. Areas considered include issues to do with viewpoint , continuous and discontinuous forms of narrative, differences between short story form and longer forms such as novels and novellas, dialogue, characterisation, location, plot and narrative action and the deployment of thematic elements in fiction writing. In the later part of the semester the class focuses more on critical feedback on each student's creative work with an emphasis on editing and re-writing.
Objectives | a, b, c |
Value | 30% |
Due | Weeks 2-6 |
Task | To write several short narrative pieces and workshop them in class. |
Assessment criteria |
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Objectives | b, e |
Value | 20% |
Due | Weeks 6-14 |
Task | To present an analysis of one page from a chosen fictional text. |
Assessment criteria |
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Objectives | a, c, d |
Value | 50% |
Due | Week 14 |
Task | To write an extended narrative piece worked through the necessary re-writes, class discussions and editorial changes. |
Assessment criteria |
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Students are expected to read the subject outline to ensure they are familiar with the subject requirements. Since class discussion and participation in activities form an integral part of this subject, you are expected to attend, arrive punctually and actively participate in classes. If you experience difficulties meeting this requirement, please contact your lecturer. Students who have a reason for extended absence (e.g., illness) may be required to complete additional work to ensure they achieve the subject objectives.
REQUIRED READING
RECOMMENDED READING
All Advanced Narrative students are expected to read widely in fiction and non-fiction.