This subject develops the editorial, technical and presenting skills involved in radio production of a high standard. Students are encouraged to initiate and implement radio program ideas in a broadcast environment. There is an emphasis on challenging conventional approaches to radio journalism both in form and content, and as part of this a variety of radio genres, including documentary/features, is studied along with the skills needed for their production.
At the completion of this subject, students are expected to be able to:
Students will produce an extended feature story and a location based current affairs report targeted for broadcast. The technical and editorial work is based on the student's own projects and students are encouraged to work on assessment tasks in class.
Assessment is based on the quality of recorded work, active listening exhibited by critical analysis of broadcast work, and the ability to work to strict deadlines.
Recorded/broadcast items should demonstrate a depth of research that distinguishes the work from daily news/current affairs broadcasting.
| Objectives | a, c | |
| Due date | Week 6 | |
| Value | 35% | |
| Task | A 3-7 minute story about your street targeted for a new online project for the ABC. Details given in class in first weeks session by ABC producer. | |
| Assessment criteria | Demonstrated broadcast quality technical and editorial skills that include the use of location based interviews and background atmosphere/sound. |
| Objectives | b | |
| Due date | Week 7 | |
| Value | 25% | |
| Task | A detailed researched radio feature /documentary proposal aimed for broadcast on a nominated radio program. | |
| Assessment criteria |
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| Objectives | a, c | |
| Due date | There are three deadlines to this task. Marks will be deducted for not meeting deadlines. Deadline a: Week 10 Rough edit of primary interview/s Deadline b: Week 13 Draft edit with some audio and written draft script Final deadline: Week 14Final mix with cue sheet | |
| Value | 40% | |
| Task | Choose one of the following:
All stories MUST And include at least two if not all of the following elements: Each student must submit a written intro/cue sheet for broadcast and a work journal including phone calls made, who was interviewed research papers/sites and any other items essential to the story preparation. A hundred word long critique on your finished story should also form part of the journal. | |
| Assessment criteria |
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Demonstrated ability to:
Students are expected to read the subject outline to ensure they are familiar with the subject requirements. Since class discussion and participation in activities form an integral part of this subject, you are expected to attend, arrive punctually and actively participate in classes. If you experience difficulties meeting this requirement, please contact your lecturer. Students who have a reason for extended absence (e.g., illness) may be required to complete additional work to ensure they achieve the subject objectives.
Radio Journalism 2, Course Reader
Phillips, G, and Lindgren, M, Australian Broadcast Journalism, 2nd edn, Oxford University Press, 2006 (available at Co-Op Bookshop)
Martin Shingler, On Air Methods and Meaning of Radio 791.4409 Shin
Strauss, Neil Radiotext(e) 302.2344 Radi
Beaman Jim, Interviewing for Radio 791.44028, Beam.
Ahern Steve, Making Radio 791.447, Aher
Herbert John, Journalism in the Digital Age, 070.40285 Herb.
Gail Phillips and Mia Lindgren, The Australian Broadcast Journalism Manual, Phil 070.190994
IFC collection (sound recording): International Feature Conference: 30 years of international radio documentaries/ European Broadcasting Union. Call number 384.5094 INTE (2004)
ABC/UTS Radiophonic Research Collection, 100 individual ABC feature programs available at the library.
An excellent radio features resource is at www.thirdcoastfestival.org/ . There you will find radio feature/documentary programs, talk by program makers at previous festivals and links to useful sites.