Ficto-criticism deforms the limits of literary genres, working both within and beyond them. Post-romantic in conception, it is driven less by the individual imagination and more by the material and attitudes thrown up by the writer's encounter with everyday political emergencies. At its simplest, it makes a persuasive argument while telling an engaging story; at its most complex, it is a surrealist montage of different styles and media. Ficto-criticism can label a wide variety of styles – the renaissance tradition of the essay (from Montaigne to Barthes); the new journalism of Joan Didion; the travelling philosophy of Alphonso Lingis; and the hallucinatory ethnographies of Mick Taussig.
Spring semester, City campus
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Subject EFTSL: 0.167